Tishan Hsu’s first solo exhibition with Miguel Abreu Gallery, skin-screen-grass, opens October 21st, on view until December 23. He has, however, demonstrated a heartening. As a second-generation avant-noise provocateur, this crunch-rock-dallying free jazz guitarist has yet to develop the visceral improvisational extravagance shown by dad Peter (the hard-blowing saxophonist who’s recorded with Sonny Sharrock and Bill Laswell in Last Exit). Caspar Br&246 tzmann Massaker.
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Young Peter Brötzmann Full Of Potential
Shum’s material experimentation and dynamic approach to a familiar medium results in surreal, large-scale compositions at once dream-like and restrained.The works of Shum and Fan involve the iterative layering of materials to dissolve unquestioned binaries, whether it be the collapsing of interior and exterior spaces in Shum’s paintings or the questioning of race and gender in Fan’s pieces.Tishan Hsu’s new wall installation and accompanying QR-linked video piece, “Grass-Screen-Skin: Bolzano” is now on view at Museion, Bolzano, Italy, as part of TECHNO. Building on his exploration of allegory, symbolism and spirituality in his recent exhibition Vortices , Shum extends his unique approach of wielding oil paint in an ink-like fashion, rendering elements from spiritual and mythological imagery in translucent, dripping layers. These works continue Fan’s inquiry into what forms belie the body part that determines the majority of differences in human skin colors, and suggests that living beings are not bound entirely by the form of the skin.Shum presents new oil paintings created in his home/studio in Tai Po. L, Lei Lei, Li Jiaqi, Feng Kehui, Mak Ying Tung 2, Pedro Neves Marques, Meng Jinghui, Nabuqi, Phil Patiris, Gabriel Tejedor, Xingfu Peifang, Wang Xiyan, Xper.Xr, The Yes Men, Liam Young, Goang-Ming Yuan, Gary Zhexi Zhang, Zhong MingArtistic directors: Carol Yinghua Lu, Luo XiaomingCuratorial team: Huang Wenlong, Liang Chouwa, Yin Shuai, Jerome Zhang, Scarly Zhou, Zhu Siyu Read more …Empty Gallery is pleased to open a dual-presentation of sculptor Jes Fan and painter Henry Shum at the Focus section of Frieze London, booth H10, from October 13 through October 17.Fan’s ongoing Diagrams sculpture series features partial body-molded pieces of aqua resin covered in patches of color alluding to medical depictions of the epidermis, overlaid with hand-blown glass globules. It is an exhibition that contemplates, envisions, summons and claims the “future.” By presenting the practices of Chinese and international artists and cultural practitioners, we demonstrate the future as a space full of potential, beckoning for the subjective individual, to confront the present with the courage and enthusiasm of a future-oriented outlook.”Participating artists: Francis Alÿs, Aram Bartholl & Nadja Buttendorf, Erick Beltrán, Chen Chen Yu, Chen Juanying, Karel Čapek, Carlomar Arcangel Daoana, Datong Dazhang, Péter Dobai, Fang Tianyu, Lawrence Abu Hamdan, Norma Jeane, Pauline Julier & Nicolas Chapoulier, Pope.
The exhibition opens on 2 September and runs until 23 October at Last Tango.Artists: Fatima Al Qadiri & Khalid Al Gharaballi, James Bantone, Básica TV, Lukas Beyeler, Emilio Bianchic, Lex Brown, Cibelle Cavalli Bastos, Tianzhuo Chen, Jes Fan, House of Ladosha, Ivy Monteiro, Javier Ocampo, Tyler Matthew Oyer, Signe Pierce & Alli Coates, Bhenji Ra & Justin Shoulder, Florencia Rodríguez Giles, Jacolby Satterwhite, SOPHIE and moreCurated by Simon W Marin and Violeta MansillaCo-hosted by Tanzhaus Zürich and Shedhalle Read more …The 11th Seoul Mediacity Biennale, One Escape at a Time, is slated to open from September 8 to Novemat the Seoul Museum of Art (SeMA) and other locations across the city.One Escape at a Time will present works and projects—many of them new productions—by 41 Korean and international participants: Bani Abidi, Monira Al Qadiri, Amature Amplifier, Richard Bell, Johanna Billing, Pauline Boudry / Renate Lorenz, Chang Yun-Han, Chihoi, Minerva Cuevas, Brice Dellsperger, DIS, Hao Jingban, Hapjungjigu, Sharon Hayes, Jinhwon Hong, Hsu Che-Yu, Geumhyung Jeong, Eisa Jocson, Kang Sang-woo, Kim Min, Sarah Lai, Oliver Laric, Li Liao, Life of a Craphead (Amy Lam and Jon McCurley), Lim Giong, Liu Chuang, Mackerel Safranski, Tala Madani, Henrike Naumann, ONEROOM, Yuri Pattison, Paul Pfeiffer, Hansol Ryu, Pilvi Takala, TASTEHOUSE × WORKS, Wang Haiyang, Ming Wong, Cici Wu, Chikako Yamashiro, YOUNG-HAE CHANG HEAVY INDUSTRIES, and Tobias Zielony.One Escape at a Time builds on ideas of escapism in relation to currents in today’s popular media—especially the US sitcom One Day at a Time (2017–). The project defends the idea that identity is not a definitive state but a continuous negotiation between the ontological self and the rest of the world, a form of constantly becoming rather than being. Read more …CAMP FIRES is a polymorphous project that centers around the exhibition of some twenty video works by international artists, dancers, singers, performers, and activists exploring the body as a performative interface to resist the normative gaze over dissident bodies—that which is queer in the broadest sense of the word. Museion invites an international group of artists, thinkers and producers to explore how cultural phenomena related to techno have become interlaced with the ways we experience our identities today.Artists: Riccardo Benassi, Paul Chan, Nicolò Degiorgis, Karin Ferrari, Massimo Grimaldi, CC Hennix, Tishan Hsu, Mire Lee, Ghislaine Leung, Isabel Lewis, Piero Martinello in Zusammenarbeit mit/in collaborazione con/in collaboration with Franco Ruaro, Sandra Mujinga, Nkisi aka Melika Ngombe Kolongo, Emeka Ogboh, Yuri Pattison, Daniel Pflumm, James Richards und/e/and Steve Reinke, James Richards, Jacolby Satterwhite, Leander Schwazer, Sung Tieu, Jan Vorisek among many others.TECHNO is curated by Bart van der Heide, Director of Museion, in collaboration with an international research team including Francesco Tenaglia, art critic and curator, Florian Fischer, stage director and author and Frida Carazzato, curatorial assistant at Museion.
Despite its seemingly conventional format, the sitcom flips the norms of media representation and disguises its central concerns with laughter while tackling some of the most urgent and human questions today: racism, gender, class, sexuality, identity, migration, gentrification, and violence, among others. It charts the life of a three-generation Cuban American family sharing the same roof in Los Angeles.
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